Zack: First off, a warning. In my last post, I got a bit
nostalgic because we were listening to the second of Metallica’s four albums on
the list, six-ish years after listening to the first. As I’ve mentioned before,
we pick albums in batches of 20, and in addition to trying to space out the
genres and eras, we try to pace ourselves in terms of going through certain
artists’ catalogues. As bad as I want to burn through all the Neil Young,
Johnny Cash, and Radiohead, if we did that then we would spend the remaining
300ish albums sifting through less commonly heralded acts, trying to find
hidden gems among dregs. It’s better if we evenly disperse everything to the
best of our abilities. But as we near album 500, that means that there are a
bunch of artists with 3 or 4 albums on the list that we’re finally returning
to. This includes like 10 albums in this batch that are probably going to
trigger major nostalgia. And The Cure is one of them. Randomly, I really like
The Cure. They’re one of the few '80s post punk/new wave bands that just really
work for me. I don’t know why. I just know that I am always excited to listen
to The Cure. This fascination predates the blog, actually. I remember hanging
out in Emily’s freshman dorm room, with my (now) old, crappy laptop (that I
still have!) on her dresser, playing The Cure. It was a scene that would have
made total sense in 1990, but made a lot less sense in 2010. That said, when I
need my The Cure fix, I go right to Disintegration. Several of their other
albums are good (specifically their earlier, darker, more brooding stuff), but
Disintegration is my favorite by a wide margin. So it’s been quite a long, long
time since I’ve listened to Pornography. I don’t think I’ve played this
particular album in 5 years. So it was great to revisit it after such a long
layoff. I completely forgot how good songs like One Hundred Years and The
Hanging Garden are. I’m really glad I got to revisit this album after all these
years. And I’m glad to know that no matter how much my life changes, apparently
I will continue to find brooding, ethereal gothic rock totally mesmerizing.
Favorite Tracks: One Hundred Years; The Hanging Garden; Pornography
Emily: NME (as cited by Wikipedia) said that Pornography is "arguably the album that invented goth." That's an interesting title to have. Nowadays, I think of goth more in terms of clothing style than music, and goth music seems to have been subsumed into either the metal or industrial genres. This album has its own feel, though. It's swirling and spooky and ambient (which is perfectly personified on the album cover in fact), creating a mood as much as a sound. I like some of the later, new wavier music by The Cure better than I liked this album, which probably says more about me than the music, but it is certainly worth a listen to hear where they came from and how Pornography's influence lives on.
Favorite Tracks: One Hundred Years; The Hanging Garden; A Strange Day
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